Richard Strauss’s symphonic fantasy In Italy was an important first step towards the tone poem, a genre of orchestral writing that the composer would influence and ultimately perfect in his career. Strauss began sketching the work during a visit to Italy in the summer of 1886, and completed the work just a few months after returning home. In Italy is a little different from Strauss’ later tone poems in that its programmatic element is descriptive, rather than narrative; and the work is in four-movements, instead of a singular movement. Hear it tonight at 7, our Evening Masterwork, on Classical WSMR.