On the next Modern Notebook with Tyler Kline: Ljova’s Cellostatus imagines what scrolling through social media might sound like. A plucked groove pulls us in, giving way to fragments of danger, romance, and reflection — even a final movement where the soloist plays just one note.Then: One of pianist and composer Daniel Pesca’s earliest memories is hearing his mother sing. That memory shaped his new album, Walk with me, my joy — a deeply personal collection of music about memory, connection, and finding yourself in others. Daniel will join Tyler to discuss the album on the next Modern Notebook.

On the next Modern Notebook with Tyler Kline: Five rhythms — fume-fume, djabara, kenkeni, and more — collide and align in Evan Williams’ Cycles. Inspired by African and Afro-Cuban bell patterns, the piece uses a fast-paced additive technique that loops, shifts, and locks into place. It’s both hypnotic and full of drive.Then: “I want to be the force which is truly for good.” Those words from John Coltrane drive The Force for Good, Michael Fiday’s pulsing tribute to Coltrane’s legacy. Inspired by Giant Steps and shaped by the events of 2020, it’s rhythmically intense and spiritually charged.

On the next Modern Notebook with Tyler Kline: What does space sound like? Deirdre McKay’s Mr Shah Stares to the Heavens captures the tension between cosmic silence and the richness of sound on Earth — a quiet meditation through music.Then: Full of driving rhythms and striking textures, Errollyn Wallen’s Violin Concerto is bold and unpredictable. A single, extended movement gives the violinist room to push against every boundary.

On the next Modern Notebook with Tyler Kline: Reinaldo Moya’s Minnesota Suite paints three vivid scenes: towering red pines, the deep stillness of lake country, and the open sweep of prairie. It’s a musical journey across the state he’s called home for nearly a decade.Then: Jazz, rock, and Armenian folk all shape Tigran Hamasyan’s Sonata for Percussion. It’s music that grooves and challenges — built from asymmetrical patterns that never lose their melodic core.

On the next Modern Notebook with Tyler Kline: From Egyptian mythology to NASA’s golden record, Trevor Weston’s Stars explores the human fascination with the cosmos. Inspired by a poem by Robert Hayden, the piece moves through constellations, frequencies, the blues, and imagined cosmic music.Then: Whispers, trills, and wordless textures — Wang Lu’s At Which Point reimagines the voice through surreal poetry by Forrest Gander. It’s music full of tension and strange beauty, moving from the surreal to the luminous.

On the next Modern Notebook with Tyler Kline: Highways, winter landscapes, a honking horn before disappearing into the distance — Henry Dorn’s “Mid-Michigan Miniatures” captures the feeling of driving across Michigan. It’s music rooted in travel, family, and the slow quiet of pandemic life.Then: Restless, layered, and rhythmically charged — Ken Thomson’s Uneasy lives up to its name. The music builds in long, sweeping gestures that clash, collide, and dissolve into near silence before rising again.

On the next Modern Notebook with Tyler Kline: Thomas Adès’s Powder Her Face has dazzled audiences for three decades. Its vivid Dances have long been part of the orchestral repertoire — but the composer’s revised Three-piece Suite has never had a commercial release. Now, in its anniversary year, that moment has come.Then: Modern Notebook pays tribute to the late Sofia Gubaidulina, who passed away in March 2025. Her Triple Concerto explores three forces in music — attraction, repulsion, and the energy that binds them — all unfolding in a work of cosmic balance and depth.

On the next Modern Notebook with Tyler Kline: Good and evil, reality and illusion — composer Melia Watras explores these intertwined opposites in “Doppelgänger Dances.” The piece plays with musical doubles and variations, drawn from her earlier composition William Wilson, inspired by Edgar Allan Poe’s haunting tale of duality.Then: “Still Leaning Towards This Machine” — that’s the subtitle of Rune Glerup’s Clarinet Quintet, a piece shaped by influences from Beethoven and Boulez to Beckett and Bukowski. Across three movements, it shimmers with tension, breathes with stillness, and pulses with restless energy, blending acoustic and electronic textures.

On the next Modern Notebook with Tyler Kline: Called a “dream group” by The New York Times after just one concert, the ensemble Owls brings together members of Kronos Quartet and acclaimed soloists. Their debut album Rare Birds is built on joy, curiosity, and experimentation — ending with a 14-minute celebration of minimalism and 5/4 rhythm by Terry Riley.Then: A single chord for viola grew into something unexpected for composer Karin Rehnqvist — a piano improvisation, then an electronic voice that sounded like the sea. In her piece “I thought the sea would sing to me,” she explores the viola’s depths, from the warmth of the C string to shimmering quarter tones and playful musical gestures.

On the next Modern Notebook with Tyler Kline: Some events seem to happen by chance — but still leave a lasting impact, from moment to moment, measure to measure. That idea is at the heart of Marc Mellits’ “Discrete Structures,” a set of miniature movements that connect and complete each other in surprising ways, drawn from shared musical material and personal moments of serendipity.Then: The trombone is often cast as the Big Bad Wolf or the Clown. But in Jonathan Dove’s “Stargazer,” it becomes something else entirely — a stargazer, searching the night sky while the orchestra shimmers around it, with subtle threads of Twinkle, Twinkle, Little Star woven throughout.

On the next Modern Notebook with Tyler Kline: What does it mean to have a voice, to be able to question whether we are truly understood when we speak, and what occurs when we remain silent? Composer Andrea Casarrubios explores these questions through her piece for cello and percussion, “Speechless.” It’s music that requires the performers to embark on a playful yet desperate search for answers pertaining to the power of voice.Then: Anna Thorvaldsdottir’s work “Ubique” lives on the border between enigmatic lyricism and atmospheric distortion. She says that it’s music inspired by the notion of being everywhere at the same time, an enveloping omnipresence, while simultaneously focusing on details within the density of each particle. And she achieves this across an 11-part, 45-minute work for flute, piano, and two cellos.

On this week’s Modern Notebook with Tyler Kline: The reinterpretation of Korean folk music is one of composer Jean Ahn’s lifelong pursuits, and she does this through maintaining the essence of a folk song–like the original tune–and allowing it to juxtapose and contrast with her non-Korean musical background. The result is a fascinating reimagining of three folk songs collected under Ahn’s solo piano work, “Folksong Revisited.”Then: listen for music by Grace Ann Lee performed by violinist Teagan Faran, as well as saxophone quartet music by Niki Harlafti. And a pair of pieces featuring solo cello, including the Legend of Sigh by Gity Razaz for Cello and Electronics, and a work by Britta Bystrom titled “Figures at the Seaside.”