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Lexi Garcia-Toye is captain of the dance for ‘Hamilton’

Group of people on stage wearing old timey outfits
Joan Marcus
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Provided to St. Pete Catalyst
"Hamilton," the 2026 national Broadway tour. 

The official Broadway touring company visits the Straz Center’s Morsani Hall beginning Wednesday, with performances through Nov. 8.

The musical Hamilton reached Broadway in 2015, and its blend of American history with R&B, pop and hip hop music was an instant success. “This is a story about America then, told by America now,” playwright and composer Lin-Manuel Miranda explained to The Atlantic, “and we want to eliminate any distance between a contemporary audience and this story.”

Hamilton took 11 Tony Awards, including Best Musical, and won the Pulitzer Prize for Drama. More than a phenomenon, the show has been seen by over 28 million people around the world.

The official Broadway touring company visits the Straz Center’s Morsani Hall beginning Wednesday, with performances through Nov. 8.

Woman with short brown hair stares into camera for headshot
Publicity photo
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Provided to St. Pete Catalyst
Lexi Garcia-Toye.

Orlando dancer, singer and actor Lexi Garcia-Toye joined the HamFam (that’s what they call themselves) in 2017, two years after she graduated with a BFA in Dance from Marymount Manhattan College. She spent two years as an ensemble member on Broadway, then toured the country.

She’s the 2026 tour’s Dance Captain, and also a swing performer, which means she knows all the steps, in every number, and can fill in when an ensemble member is ill, or injured, or otherwise unable to go on.

Garcia-Toye will be with the company in Tampa.

“My job as Dance Captain is to make sure the integrity of what the original cast and creatives made way back when stays the same,” she says. “But then also, I have to walk this very fine line of yes, I have to upkeep that integrity, while also celebrating and supporting what these current cast members are bringing to the table. And allow them to shine as well.

“So it’s just this beautiful balance. And that’s what’s allowed me, for nine years, to pop in and out of the show. Every single time I’ve had the opportunity to jump back in, I’ve been blown away by what I’ve seen onstage and what I’ve received from the audience members.”

The Tony-winning choreography by Andy Blankenbuehle, she says, is obviously set in stone. “And I’m such a dork, but our show is a living, breathing thing. It’s such a cool thing to experience, because the show is such a statement of where we are at in time and space. And it changes not just yearly but, I’m telling you, daily.

“Every time we swings, including the males, get to step on, our energy and our personality and what we sprinkle into the show also changes. Kind of the texture, or the environment.”

Garcia-Toye expects to perform as part of the ensemble several times during the Tampa run – her beloved grandmother lives here, and it’s been discussed within the company – but at press time, she didn’t have the “swing-on” schedule.

Back in 2015, she fell in love with the Hamilton cast album, long before she ever saw it onstage. “Hearing the soundtrack alone, there was something in me that thought ‘This is something that’s so much bigger than quote-unquote just a show.’

“I could tell within the lyrics, we’re talking about humanity. And that’s why the show has lasted.”

Her first professional job was as an entertainer with Norwegian Cruise Lines, although Hamilton was never far from her thoughts. “I just thought, I have to work my booty off, and I have to be a part of this show some way.”

Garcia-Toye gives a shout-out to her mentor Karla Puno Garcia, a teacher at Broadway Dance Center. She happened to also work as a swing in Hamilton.

“She allowed me, this young kid who had no experience, to dance her choreography and dance alongside her Hamilton castmates. So it was original Hamilton company members … and me. For no reason, other than the fact that she was just being a beautiful human being.”

She can recite by heart her mentor’s most important lessons. “One, always continue to work unbelievably hard if you have a dream that won’t stop knocking on your heart. Two, when you do achieve those big dreams, make sure you turn around, and extend a hand and help the next generation up.”

Through the audition process, she was noticed by the show’s assistant choreographer. “And so it just kind of kicked off from there.”

During the pandemic, Garcia-Toye returned to her hometown and worked, for several years, as a performer at Walt Disney World. “And that taught me so many other things that I just didn’t see coming. And there were so many opportunities, including choreography gigs that landed in my lap. That was a role I never really saw myself in.

“I’m always trying to figure out how I can be a better as a human in this world and my goodness, Hamilton has given that to me time and time and time again.

“So every time my agent calls and says ‘Hey, Hamilton wants to know if you can …’ I just cut her off: ‘Yep. Sure, sign me up, let’s go.’”

For Hamilton showtimes and tickets, visit this link.

This content provided in partnership with StPeteCatalyst.com

A bunch of people in old military outfits stand on stage
Joan Marcus.
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Provided to St. Pete Catalyst

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