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New York Times reporter Jeremy Peters says the religious right and social conservatives "got basically everything that they wanted" from Trump's presidency. Peters' new book is Insurgency.

The Last King of Scotland stars Forrest Whitaker as charismatic -- and unfathomably murderous -- ruler Idi Amin. In the film adapted from a bestselling book by Giles Foden, the Ugandan dictator's bloody reign is seen through the eyes of a young Scottish doctor who finds himself thrust into Amin's inner circle.

New rules for Emmy nominations exclude some past winners, creating a bit of a controversy in Hollywood as Sunday night's awards show nears. Matt Roush, senior critic for TV Guide, briefs Liane Hansen on the new rules.

Film critic Kenneth Turan reviews the film Fast & Furious: Tokyo Drift. He says the movie is unintentionally amusing but enjoyable.

Graffiti -- New York's most famous symbol of urban anxiety -- no longer grows like ivy on the subway trains. Still, it's lodged deeply in the city's psyche. And through Sept. 3, it's firmly ensconced in the Brooklyn Museum, in an exhibition simply called, "Graffiti."

Washington, D.C. is shaking the dust from one of its signature collections. The National Portrait Gallery and the American Art Museum will reopen to the public after a lengthy renovation. Mark Pachter, the director of the National Portrait Gallery, offers a sneak peek.

Despite an atmosphere of increased security and monitoring technology, it's never been easier to assume another identity -- at least, for a little while. Filmmakers and writers are finding fodder in the ability to easily diguise oneself online.

Television critic David Bianculli previews two new TV shows. Broken Trail, a western starring Robert Duvall and Thomas Haden Church, premieres on the AMC cable channel this Sunday and Monday night at 8 p.m. ET. Bill Moyers: On Faith and Reason debuts Friday night on PBS.

The name of designer Viktor Schreckengost may seem an obscure one, but that may change this summer. More than 100 museums around the world will mount exhibitions of Schreckengost's work to celebrate his 100th birthday. The American designer's career arc includes Art Deco, bicycles, and cars.

A simple farmer turned general, then dictator of Rome, Cincinnatus was revered for his humility. As legend has it, he gave up all that power to return home. Classics scholar Elaine Fantham discusses the Roman hero with Scott Simon.

Hollywoodland is an ambitious film that succeeds up to a point, but no further. It's a reasonable facsimile of film noir, but it's also an overly derivative piece of work that thinks it is doing and saying more than it is. And this despite a subtle and effective performance by, of all people, Ben Affleck.

A new crop of 25 recipients of the 2006 MacArthur Fellowships -- the so-called genius grants --has been named. The list includes author and illustrator David Macaulay, oceanographer and biologist Edith Widder and jazz violinist Regina Carter. Robert Siegel talks to three recipients about how they'll use the money in their work.

Director Brian De Palma's Black Dahlia is based upon James Ellroy's fictional take on a real-life 1947 L.A. murder case. Ellroy's novel L.A. Confidential was turned into a great movie, but don't expect the same of Dahlia.

Jane Campion's and Denis Villeneuve's films got the highest amount of nominations, 12 and 10 each. Drive My Car, from Japan, got nominated for both Best Picture and Best International Feature.

Factotum is a delicate melding of a trio of different sensibilities you wouldn't think would naturally cohere. It gracefully combines the bleak world of the despairing poet and novelist Charles Bukowski with the droll point of view of Norwegian director Bent Hamer.

Michael Mann's movie re-make of his classic 80s TV show Miami Vice is visually stunning. But its poor plot leaves the viewer wanting more. Morning Edition and Los Angeles Times film critic Kenneth Turan says its a "B" picture with an "A" picture budget.

Ads for Toyota's newest economy car, the Yaris, feature the car taking on some animated animals. In one, an animated piggy bank gets assaulted to emphasize the gas-slipping car's penny-pinching attributes. Slate advertising critic Seth Stevenson has a review.

In the new film Little Miss Sunshine, Toni Collette, Steve Carrell, and Greg Kinnear form the nucleus of a hilariously dysfunctional family. NPR's Bob Mondello says family values have rarely been so easy to endorse in a comedy -- but it's definitely not for the kiddies.

Talladega Nights: The Ballad of Ricky Bobby is from the same pit crew that brought us Anchorman. Dutifully, Talladega Nights does for NASCAR what the earlier movie did for journalism.

The legendary Sunset Lounge is returning as part of a broader revitalization effort in the Historic Northwest District.

HBO's acclaimed western, Deadwood, created by Emmy-winner David Milch, gives new meaning to "wild west." In its third season, black characters -- rarely seen in Westerns -- are central to the show. The show's creator says many of Deadwood's characters are based on real people.

Ken Loach's film The Wind That Shakes the Barley examines the early days of the Irish Republican Army and the radical organization's impact on the Irish people. Some British papers have criticized Loach for making the movie.

The Namesake is Mira Nair's film about an Indian-American family struggling with issues of identity. Adapted from a novel by Pulitzer Prize-winner Jhumpa Lahiri, the film stars Kal Penn and Tabu.

Comedian and actor Andy Richter's new sitcom is Andy Barker, P.I. Richter plays an accountant who is mistaken for the detective who formerly occupied the office he is renting. He reluctantly takes on the role of private investigator and discovers he likes it.

The Winner, a new comedy starring Rob Corddry of The Daily Show fame, debuts on Fox on Sunday. But Corddry's Daily Show pedigree is no guarantee of success, as this atrocious sitcom proves.