Community Calendar

La Grande Illusion is a major exhibition of works by internationally acclaimed artist, Brian Maguire. The exhibition spans two decades of work that spotlights the artist’s lifelong quest to draw attention to global injustices, war, and human rights. One of Ireland's leading cultural figures, Maguire has turned the practice and tradition of painting into acts of visual testimony. Maguire’s paintings are global in scope and are derived from projects undertaken between 2007 and 2024 in Mexico, the Mediterranean, Syria, Sudan, the United States, and the Amazon. Maguire's artworks are painted from direct experience and involve the artist spending extensive time on the ground with the communities that welcome him. The results are, plainly put, paintings that visualize the commonality of human suffering and dramatize the plight of people in need.

Join Museum of the American Arts and Crafts Movement Master Craftsman, Carlos Velasco for this fun Bat Leaded Glass Class. Each class teaches the basics of cutting and soldering and so much more. It is the perfect introduction to the craft of leaded glass-making. Create your own art glass creature. Introductory classes are two sessions: October 16 and 23, 2025, 10am-1pm. Each class lasting 3 hours. Closed toed shoes are required, please pre-register online. Non-Members: $125. Members: $110. Cost includes all equipment and supplies.

New works by Selina Román blend photography, abstraction, and self-portraiture to explore themes of beauty and the politics of size in Selina Román: Abstract Corpulence. Roman’s photographs feature tightly cropped images of the artist’s own body, boldly occupying the full composition and extending past the boundaries of each frame. Pastel bodysuits and tights transform the artist’s flesh into new, gently rolling landscapes as amorphous shapes converge to create modernist-inspired compositions. At this scale, Roman’s tightly cropped portrayals of stomachs, thighs, and hips become formal studies of line, shape and color, asking viewers to consider the human form from a point of true abstraction. The softly hued palette created by the artist’s bodysuits lends itself to narratives around the aesthetics of femininity. Displayed as a colorful never-before-seen installation, Roman’s photographs transform the gallery into a space of quiet resistance, subverting traditional ideas of feminine beauty.

Selina Román: Abstract Corpulence is organized by Sarasota Art Museum of Ringling College of Art and Design and curated by Rangsook Yoon, senior curator at Sarasota Art Museum.

Image credit: Selina Román (American, 1978). Blockhead 1, 2025. Dye sublimation on aluminum, 40 x 50 in. Courtesy of the artist.

Sarasota Art Museum shines a spotlight on Art Deco as the artform celebrates its centennial anniversary. Art Deco: The Golden Age of Illustration showcases 100 rare posters from the Crouse Collection created by some of the world’s earliest master graphic designers during the 1920s and 1930s.

During the 1920s, a bold new artistic style roared to life: Art Deco. This exciting, dramatic, and glamorous new genre bid farewell to the soft, organic forms of Art Nouveau and soon took the world by storm. One of Art Deco’s most significant contributions was the art of printed graphics, giving birth to the disciplines of illustration and typography that permeate our world today.

Featuring subjects ranging from automobiles, airlines, and ocean liners to drinks and tobacco, the works represented in Art Deco: The Golden Age of Illustration celebrate modernity, dynamism, and luxury—the dreams and desires of the turbulent early twentieth century.

In addition to the iconic posters, Art Deco: The Golden Age of Illustration conjures the era’s design aesthetic with selected sculptural works and cocktail shakers from the Crouse Collection, and Art Deco furniture pieces on loan from the Wolfsonian Museum at Florida International University in Miami.

Art Deco: The Golden Age of Illustration is organized by Sarasota Art Museum of Ringling College of Art and Design and curated by Rangsook Yoon, senior curator at Sarasota Art Museum.

Image credit: Installation view of Art Deco: The Golden Age of Illustration at Sarasota Art Museum, Sarasota, Florida, 2025. Photo: Ryan Gamma.

Sam Hamilton/Sam Tam Ham (b. 1984, Auckland, New Zealand/Tāmaki Makaurau, Aotearoa) created Te Moana Meridian as a vessel for proposing a radical new United Nations General Assembly Draft Resolution to formally relocate the prime meridian from Greenwich, London, to Te Moana-Nui-ā-Kiwa/the South Pacific Ocean. Since its inception at an 1884 conference in Washington D.C., the prime meridian has functioned to implicitly serve the ambitions of the British colonial empire. Rather than serving as a "beacon of humanity," the prime meridian today more resembles a bygone imperial relic. As an original operatic performance and five-channel video installation, Te Moana Meridian proposes to elect a new "center of the world" while acknowledging that doing so has the potential to reframe the dynamics of global power.

Weird in St. Pete

October 2 - 19, 2025

Taken directly from the weird and wacky tales that make St. Pete one-of-a-kind, this new, immersive play will take you on a journey through The Duncan McClellan art gallery, as some well known (and not so well known) characters in St. Pete folklore come to life!

Location: Duncan McClellan Gallery (2342 Emerson Ave S, St. Petersburg, FL 33712)

Thursday-Saturday: 6:00 PM, 6:30 PM, 7:00 PM, 7:30 PM, 8:00 PM, 8:30 PM, 9:00 PM

Sunday: 4:00 PM, 4:30 PM, 5:00 PM, 5:30 PM, 6:00 PM‍

Group size: 30 people max (25 on sale, 5 on hold)
Age: 10+

Go nose to nose with Big John, the World’s Largest Triceratops, in an immersive and playful dinosaur exhibit at the Glazer Children’s Museum in Downtown Tampa. Whether you have a child at home or not, all are welcome to visit this colossal exhibit, 66 million years in the making.

La Grande Illusion is a major exhibition of works by internationally acclaimed artist, Brian Maguire. The exhibition spans two decades of work that spotlights the artist’s lifelong quest to draw attention to global injustices, war, and human rights. One of Ireland's leading cultural figures, Maguire has turned the practice and tradition of painting into acts of visual testimony. Maguire’s paintings are global in scope and are derived from projects undertaken between 2007 and 2024 in Mexico, the Mediterranean, Syria, Sudan, the United States, and the Amazon. Maguire's artworks are painted from direct experience and involve the artist spending extensive time on the ground with the communities that welcome him. The results are, plainly put, paintings that visualize the commonality of human suffering and dramatize the plight of people in need.

New works by Selina Román blend photography, abstraction, and self-portraiture to explore themes of beauty and the politics of size in Selina Román: Abstract Corpulence. Roman’s photographs feature tightly cropped images of the artist’s own body, boldly occupying the full composition and extending past the boundaries of each frame. Pastel bodysuits and tights transform the artist’s flesh into new, gently rolling landscapes as amorphous shapes converge to create modernist-inspired compositions. At this scale, Roman’s tightly cropped portrayals of stomachs, thighs, and hips become formal studies of line, shape and color, asking viewers to consider the human form from a point of true abstraction. The softly hued palette created by the artist’s bodysuits lends itself to narratives around the aesthetics of femininity. Displayed as a colorful never-before-seen installation, Roman’s photographs transform the gallery into a space of quiet resistance, subverting traditional ideas of feminine beauty.

Selina Román: Abstract Corpulence is organized by Sarasota Art Museum of Ringling College of Art and Design and curated by Rangsook Yoon, senior curator at Sarasota Art Museum.

Image credit: Selina Román (American, 1978). Blockhead 1, 2025. Dye sublimation on aluminum, 40 x 50 in. Courtesy of the artist.

Sarasota Art Museum shines a spotlight on Art Deco as the artform celebrates its centennial anniversary. Art Deco: The Golden Age of Illustration showcases 100 rare posters from the Crouse Collection created by some of the world’s earliest master graphic designers during the 1920s and 1930s.

During the 1920s, a bold new artistic style roared to life: Art Deco. This exciting, dramatic, and glamorous new genre bid farewell to the soft, organic forms of Art Nouveau and soon took the world by storm. One of Art Deco’s most significant contributions was the art of printed graphics, giving birth to the disciplines of illustration and typography that permeate our world today.

Featuring subjects ranging from automobiles, airlines, and ocean liners to drinks and tobacco, the works represented in Art Deco: The Golden Age of Illustration celebrate modernity, dynamism, and luxury—the dreams and desires of the turbulent early twentieth century.

In addition to the iconic posters, Art Deco: The Golden Age of Illustration conjures the era’s design aesthetic with selected sculptural works and cocktail shakers from the Crouse Collection, and Art Deco furniture pieces on loan from the Wolfsonian Museum at Florida International University in Miami.

Art Deco: The Golden Age of Illustration is organized by Sarasota Art Museum of Ringling College of Art and Design and curated by Rangsook Yoon, senior curator at Sarasota Art Museum.

Image credit: Installation view of Art Deco: The Golden Age of Illustration at Sarasota Art Museum, Sarasota, Florida, 2025. Photo: Ryan Gamma.