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  • Jennifer Haigh's new novel, The Condition, is about a girl who has a genetic disorder that stops her development just before puberty. The "condition" gives her family an excuse to resist facing each other and fall apart.
  • Before it took over Latin dance halls worldwide, bachata arose from Dominican shantytowns as a kind of lower-class party music. Now, a recent CD and a series of concerts are bringing the genre's early acoustic tradition back into the spotlight.
  • American and Brazilian musicians have been finding common ground ever since jazz artists turned to bossa nova 50 years ago. But the result has never quite sounded like Nation Beat's mash-up of Southern country and northeast Brazilian maracatu.
  • After decades of producing solo albums, renowned American folk musicians Grey Larsen and Cindy Kallet have released their first collaboration, Cross the Water. Here, they talk about their musical partnership and their influences in traditional Scandinavian and Balkan music.
  • One of the most quintessentially American composers of the 20th century was not an American. But as a boy in Argentina, Schifrin discovered George Gershwin and Louis Armstrong, setting him — and his celebrated film scores — on a path to fame.
  • The Hold Steady's Craig Finn and Tad Kubler were both over 30 when they made the recordings that finally brought success. But with 2006's Boys and Girls in America and the new Stay Positive, the band has found its place as one of the country's best straight-up rock groups. The band discusses the influences behind its new album.
  • When he stood up in a South African courtroom during his treason trial in 1964, Nelson Mandela declared that he was "prepared to die" for his cause. As Mandela turns 90, a documentary studies the pivotal moment when he became a worldwide symbol of the struggle for freedom and democracy.
  • Fela Kuti fathered the musical movement Afrobeat and its crown prince, 25-year-old Seun Kuti. The Nigerian singer is leading his father's band, Egypt 80. On his self-titled debut album, he's added some American influences but kept his songs sharply pointed and political.
  • Triumph the Comic Insult Dog's bark may be worse than his bite: The canine puppet has been mocking Hollywood celebrities for over a decade now. Robert Smigel, Triumph's creator, talks about the furry late-night fixture and his other comedy projects.
  • Over the past 14 years, some of New York's hottest young jazz musicians have worked for peanuts, just to have the chance to play the Argentine composer's challenging mix of Latin rhythms, classical structures and singable melodies.
  • His sharp-tongued lyrics have skewered rednecks, kingpins and heartless politicians. Newman has riled a long list of people — and it's likely to grow with the release of his new CD, Harps and Angels. He may be the most misunderstood songwriter ever.
  • As medal-winners step up to the podium in this year's Summer Olympics, commentator Miles Hoffman says, we're bound to hear quite a few national anthems, some of which come equipped with bad poetry and stilted music.
  • Despite a constant flood of new music, people still like to insist it was all better in times past. But Marianne Faithfull, who has survived a bunch of musical decades, recognizes that right now is a golden era of its own. Her new record, Easy Come, Easy Go, is all covers, but alongside old standards are what might be some new staples.
  • The folksy songwriter returns with his second album, Elvis Perkins in Dearland, now with a more upbeat, countrified sound. Yet even with the shift, Perkins continues to wrestle with his past.
  • The Florida Keys National Marine Sanctuary's Restoration Blueprint would add Pulley Ridge in the Gulf of Mexico to its boundaries, in addition to putting additional protections on more than 450 square miles around the Keys.
  • For those who think all Cajun music sounds exactly the same, a new CD tries to dispel that pervasive and dangerous myth. Christine Balfa Plays the Triangle offers up nearly an hour of triangle solos, performed by a woman with an impeccable Cajun pedigree.
  • When the gospel duo Mary Mary announced its tour dates for this spring, not one church was on the list of venues. Sisters Tina and Erica Campbell, who named their act after the two Marys in the Bible, have spent their careers taking gospel music out of its usual venues.
  • In a new report, GLAAD found that 84% of LGBTQ adults said not enough protections are on social media to prevent discrimination, harassment or disinformation.
  • The keyboard player for The Faces and The Small Faces talks about playing snooker and skittle, making deals with Mick Jagger and how a broken-down van helped jump start his career.
  • April 14 marks the 250th anniversary of the composer's death. In honor of the occasion, two preeminent Handel musicians explain why the music remains as popular as ever with both performers and audiences.
  • Eva Ayllon is sometimes called Peru's Tina Turner. On Kimba Fa, the 30-year veteran takes all sorts of liberties with Afro-Peruvian music, adding in piano and sometimes a brass section, as well as jazz harmony and ideas from other Afro Latin styles.
  • With songs about Anne Frank's final months at Bergen-Belsen, Neutral Milk Hotel's In the Aeroplane Over the Sea hardly seems like the stuff of high school theater. But with the aid of The Dresden Dolls' Amanda Palmer, students in Lexington, Mass., have turned the seminal indie rock album into a surrealist production.
  • On a new CD, God Shall Be Praised, recently discovered manuscripts at a 12th-century German convent awaken an ancient sound world. The shifting patterns of melodies were composed with subtle genius, to interest the ear but also create a sense of calmness and inner reflection.
  • Composers seem to equate villainy with the bass voice. All the better for Samuel Ramey, whose resonant low tones have thrilled opera audiences worldwide as he plays libertines, devils and scoundrels.
  • Until a video of "Stand by Me" had gone viral on YouTube, Roger Ridley had sung and played guitar anonymously on the streets for years. A new collection, Playing for Change: Songs Around the World, is a cross-continental effort that connects disparate cultures with the universal language of music.
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